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• The Domain of Pitch in Music

  Andrzej RAKOWSKI

  429-443
• Experiments on long-term and short-term memory for pitch in musicians

  Andrzej RAKOWSKI, Piotr ROGOWSKI

  815-826
• Absolute pitch and its implications for music

  Ken'ichi MIYAZAKI

  529-540
• In search for the criteria of absolute pitch

  Andrzej RAKOWSKI, Marietta MORAWSKA-BÜNGELER

  75-87
• Absolute pitch: Common traits in music and language

  Andrzej RAKOWSKI, Ken'ichi MIYAZAKI

  5–16
• Pitch Strength of Residual Sounds Estimated Through Chroma Recognition by Absolute-Pitch Possessors

  Piotr ROGOWSKI, Andrzej RAKOWSKI

  331–347
• The threshold of the residual pitch in three-component inharmonic stimuli

  Adam Mielczarek

  2014-01-01

  425-429
• On the place code for pitch: A psychophysiological paradox in the classical concept

  Jozef J. ZWISLOCKI

  447-454
• Identification of Harmonic Musical Intervals: The Effect of Pitch Register and Tone Duration

  Tomira ROGALA, Andrzej MIŚKIEWICZ, Piotr ROGOWSKI

  2017-11-13

  591–600
• Automatic Detection and Correction of Detuned Singing System for Use With Query-By-Humming Applications

  Michał LECH

  99–104
• Psychoacoustic Characteristics of Tinnitus in Relation to Audiometric Profile

  Lidija RISTOVSKA, Zora JACHOVA, Vase STOJCHESKA

  2019-07-11

  419–428
• Absolute Pitch and Its Frequency Range

  Andrzej RAKOWSKI, Piotr ROGOWSKI

  251–266
• Symmetry and asymmetry as a physical and perceptual feature of the complementary pair of bearing sinusoids. Part I. Amplitude and frequency envelope relations

  L. RUTKOWSKI

  2014-03-05

  51-66
• Combination Tones in the Model of Central Auditory Processing for Pitch Perception

  Tadeusz ZIĘBAKOWSKI

  571–582
• Case studies on absolute pitch

  Sylwia Makomaska

  2014-01-01

  193-196
• Symmetry and asymmetry as a physical and perceptual feature of the complementary pair of bearing sinusoids. Part II. Pitch matching experiments

  L. RUTKOWSKI, A. WICHER

  2014-03-06

  67-85
• Performance in a Pitch Memory Task by Visually Handicapped Children and Youths

  Edyta BOGUSZ, Hanna KOPROWSKA, Ewa SKRODZKA

  549–553
• Experiments on pitch perception: Implications for music and other processes

  Adrianus J.M. HOUTSMA

  475-490
• Generalized discrimination thresholds and evaluation of simultaneous variations in the intensity and frequency of a tone

  Alicja CZAJKOWSKI

  229-238
• Short-term memory for pitch investigated with vocal matchings

  A. RAKOWSKI

  2014-05-01

  351-357
• Room response to frequency change and its relation to the pitch changes

  L. RUTKOWSKI

  2014-01-01

  201-214
• Mothers and their offspring perceive the tritone paradox in closely similar ways

  Diana DEUTSCH

  517-528
• Dynamic approach to sound pitch

  Halina RYFFERT, Alicja CZAJKOWSKA, Urszula JORASZ, Rufin MAKAREWICZ

  3-10
• Influence of Musical Experience of Blind and Visually Impaired Young Persons on Performance in Selected Auditory Tasks on Performance in Selected Auditory Tasks

  Edyta BOGUSZ-WITCZAK, Ewa SKRODZKA, Hanna TURKOWSKA

  2015-06-25

  337–349
• Acoustic analysis of esophageal speech in patients after total laryngectomy

  Wiesław Wszołek, Maciej Modrzejewski, Monika Przysiężny

  2014-01-01

  151-158
• High accuracy and octave error immune pitch detection algorithms

  M. Dziubiński, B. Kostek
• Prosody annotation for unit selection TTS synthesis

  Grażyna DEMENKO, Agnieszka WAGNER

  25–40
• Categorical perception in absolute pitch

  A. RAKOWSKI

  2014-05-01

  515-523
• Intonation of tone scales: psychoacoustic considerations

  Ernst TERHARDT

  147-156
• The Lower Limit of Pitch Perception for Pure Tones and Low-Frequency Complex Sounds

  Carlos JURADO, Marcelo LARREA, Brian C.J. MOORE

  2021-08-24

  459–469
• Roughness of two simultaneous harmonic complex tones in various pitch registers

  Joanna SZCZEPAŃSKA-ANTOSIK

  73–78
• Auditory information processing for sound perception and vocalization in case of tritone paradox

  Honorata HAFKE

  441–446
• Pitch Processing of Speech: Comparison of Psychoacoustic and Electrophysiological Data

  Małgorzata WRZOSEK, Justyna MACULEWICZ, Honorata HAFKE-DYS, Agnieszka NOWIK, Anna PREIS, Grzegorz KROLICZAK

  375–381
• The acoustic and electroglottographic methods of determination the vocal folds vibration fundamental frequency

  Wiesław Wszołek, Maciej Kłaczyński, Zbigniew Engel

  2014-01-01

  143-150
• Follow That Tune – Adaptive Approach to DTW-based Query-by-Humming System

  Bartłomiej STASIAK

  467-476
• A Key-Finding Algorithm Based on Music Signature

  Dariusz KANIA, Paulina KANIA

  2019-07-11

  447–457
• The 12-th International Symposium on Sound and Vision Engineering and Mastering - ISSVEM'07

  Editorial Board Archives of Acoustics

  749-755
• Perceptibility of pitch changes in a tonal signal emitted by a moving source

  Urszula JORASZ

  3-12
• Tonality of low-frequency synthesized piano tones

  Lola L. CUDDY, Frank A. RUSSO, Alexander GALEMBO

  541-550
• Analysis of the specific structure of the fundamental component of vocal sounds from the point of view of intonation evaluation

  Helena HARAJDA

  271-292
• Comparative study of the selected methods of laryngeal tone determination

  W. Wszołek, M. Kłaczyński

  2014-01-01

  219-226
• An Automatic Synthesis of Musical Phrases from Multi-Pitch Samples

  Marek Janusz PLUTA, Leszek Jędrzej SPAŁEK, Rafał Jacek DELEKTA

  2017-04-11

  235–247
• Thresholds of perception of jump frequency changes for a decaying signal

  Edward OZIMEK, Aleksander SĘK

  105-122
• Loudness Assessment of Musical Tones Equalized in A-weighted Level

  Despina KLONARI, Konstantinos PASTIADIS, Georgios PAPADELIS, George PAPANIKOLAOU

  239–250
• Psychoacoustical equivalents of tuning curves as determined by the post-stimulatory masking technique

  Antoni JAROSZEWSKI, Andrzej RAKOWSKI

  127-136
• Mutually Orthogonal Golay Complementary Sequences in Synthetic Aperture Imaging Systems

  Ihor TROTS

  2015-04-24

  283–289
• Applicability of the Capstan Equation to Guitar Strings

  Tom GROVES, Jonathan Andrew KEMP

  2019-07-11

  459–465
• Reaction delay time in the process of detection and discrimination of acoustic signals

  Andrzej RAKOWSKI, Antoni JAROSZEWSKI

  3-12
• Perceptually Correlated Parameters of Musical Instrument Tones

  James W. BEAUCHAMP

  225–238
• A programmed parametric synthesizer

  Ryszard PATRYN

  79-84
• Hearing damage from exposure to music

  A. JAROSZEWSKI, T. FIDECKI, P. ROGOWSKI

  2014-03-05

  3-31
• Acoustic Features of Filled Pauses in Polish Task-Oriented Dialogues

  Maciej KARPIŃSKI

  63-73
• Basic parameters in speech processing. The need for evaluation

  Harald HÖGE

  67–74
• A Real-Time Key-Finding Algorithm Based on the Signature of Fifths

  Paulina KANIA, Dariusz KANIA, Tomasz ŁUKASZEWICZ

  2024-10-21

  491–505
• Timbre, tone color, and sound quality: concepts and definitions

  T. ŁĘTOWSKI

  2014-05-01

  17-30
• Golay Coded Sequences in Synthetic Aperture Imaging Systems

  Ihor TROTS, Yuriy TASINKEVYCH, Andrzej NOWICKI, Marcin LEWANDOWSKI

  913–926
• Circular Radon Transform Inversion Technique in Synthetic Aperture Ultrasound Imaging: an Ultrasound Phantom Evaluation

  Jurij TASINKEVYCH, Ihor TROTS

  2014-10-27

  569-582
• Perceptual Identification of Polish Vowels Due to F0 Changes

  Mariusz Stanisław OWSIANNY

  2019-01-21

  13–26
• High freqency hearing loss in percusion players

  P. ROGOWSKI, A. RAKOWSKI, A. JAROSZEWSKI

  119-128
• The pitch code in music as compared with the natural language code

  Andrzej RAKOWSKI

  313-324
• Speech Emotion Recognition Using a Multi-Time-Scale Approach to Feature Aggregation and an Ensemble of SVM Classifiers

  Antonina STEFANOWSKA, Sławomir Krzysztof ZIELIŃSKI

  2024-03-26

  153–168
• Combination Tones in Violins

  Angela LOHRI, Sandra CARRAL, Vasileios CHATZIIOANNOU

  727–740
• The Use of Speech Technology in Foreign Language Pronunciation Training

  Grażyna DEMENKO, Agnieszka WAGNER, Natalia CYLWIK

  309–329
• A preliminary study on greek esophageal speech and a method for quality and intelligibility enhancement

  C. PASTIADIS, G. PAPANIKOLAOU

  25-38
• Speaking fundamental frequency of original speakers and their imitators

  Wolciech MAJEWSKI

  17–23
• An Efficient Edge Preserving Interpolation Method for Underwater Acoustic Image Resolution Enhancement

  R. PRIYADHARSINI, T. SREE SHARMILA

  2022-05-25

  267-274
• A New Approach to Parametric Modeling of Glottal Flow

  Tahir Mushtaq QURESHI, Khalid Saifullah SYED

  695–712
• Parametric Audio Based Decoder and Music Synthesizer for Mobile Applications

  Marek SZCZERBA, Werner OOMEN, Dieter THERSSEN

  461–478
• Estimation Of The Vocal Folds Vibration Fundamental Frequency by Higer Order Spectrum

  Wiesław WSZOŁEK, Maciej KŁACZYŃSKI

  183–188
• Numerical Assessment of a One-Mass Spring-Based Electromagnetic Energy Harvester on a Vibrating Object

  Min-Chie CHIU, Ying-Chun CHANG, Long-Jyi YEH, Chiu-Hung CHUNG

  2015-11-10

  119–131
• Chosen problems of the aerodynamics of playing the wind instruments

  Zygmunt PAWŁOWSKI, Marek ŻÓŁTOWSKI

  215-228