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• Timbre, tone color, and sound quality: concepts and definitions

  T. ŁĘTOWSKI

  2014-05-01

  17-30
• Multiple dichotomies in timbre research

  George PAPANIKOLAOU, Constantinos PASTIADIS

  137–155
• Reflections on sound timbre definitions

  Marianna SANKIEWICZ, Gustaw BUDZYŃSKI

  591-602
• Perceptually Correlated Parameters of Musical Instrument Tones

  James W. BEAUCHAMP

  225–238
• Matching violins in terms of timbral features

  Ewa Łukasik

  2014-01-01

  227-233
• Case studies on absolute pitch

  Sylwia Makomaska

  2014-01-01

  193-196
• Subjective Evaluation of Three Headphone-Based Virtual Sound Source Positioning Methods Including Differential Head-Related Transfer Function

  Dominik STOREK, Frantisek RUND, Petr MARSALEK

  2016-03-02

  437–447
• Influence of Musical Experience of Blind and Visually Impaired Young Persons on Performance in Selected Auditory Tasks on Performance in Selected Auditory Tasks

  Edyta BOGUSZ-WITCZAK, Ewa SKRODZKA, Hanna TURKOWSKA

  2015-06-25

  337–349
• The Influence of Violin Tailpiece Material on Acoustic Properties of a Violin

  Adam ŁAPIŃSKI, Ewa Barbara SKRODZKA, Andrzej WICHER

  2024-01-18

  11–18
• On the Audibility of Electric Guitar Tonewood

  Jan JASINSKI, Stanisław OLEŚ, Daniel TOKARCZYK, Marek PLUTA

  2021-12-10

  571–578
• The perceptibility of mistuned melodic intervals by school children

  H. HARAJDA, J. FYK

  371-384
• PERCEIVED ROUGHNESS OF TWO SIMULTANEOUS HARMONIC COMPLEX TONES

  Andrzej MIŚKIEWICZ, Tomira ROGALA, Joanna SZCZEPAŃSKA–ANTOSIK

  737–748
• Estimation of guitar sound quality

  Tomira BOEHM, Kacper MIKLASZEWSKI, Friedrich BLUTNER, Eberhard MEINEL

  203-229
• Timbre differences of an individual voice in solo and in choral singing

  Tomasz ŁĘTOWSKI, Lidia ZIMAK, Halina CIOŁKOSZ-ŁUPINOWA

  55-65
• Combination Tones in Violins

  Angela LOHRI, Sandra CARRAL, Vasileios CHATZIIOANNOU

  727–740