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• Detection and Recognition of Environmental Sounds by Musicians and Non-Musicians

  Andrzej MIŚKIEWICZ, Teresa ROŚCISZEWSKA, Jan ŻERA, Jacek MAJER, Barbara OKOŃ-MAKOWSKA

  2018-10-19

  581–592
• Noise-Induced Hearing Loss in Professional Orchestral Musicians

  Małgorzata PAWLACZYK-ŁUSZCZYNSKA, Małgorzata ZAMOJSKA, Adam DUDAREWICZ, Kamil ZABOROWSKI

  223–234
• Hearing Ability in Orchestral Musicians

  Małgorzata PAWLACZYK-ŁUSZCZYŃSKA, Adam DUDAREWICZ, Małgorzata ZAMOJSKA, Mariola ŚLIWIŃSKA-KOWALSKA

  579–594
• Study of the Effect of the Orchestra Pit on the Acoustics of the Kraków Opera Hall

  Tadeusz KAMISIŃSKI, Mirosław BURKOT, Jarosław RUBACHA, Krzysztof BRAWATA

  481-490
• Gap detection thresholds in young musicians with normal hearing and with very high frequency sloping hearing loss in 1/3-octave white noise centered at 4 kHz

  A. JAROSZEWSKI, A. JAROSZEWSKA, P. ROGOWSKI

  241-276
• Experiments on long-term and short-term memory for pitch in musicians

  Andrzej RAKOWSKI, Piotr ROGOWSKI

  815-826
• An Accent-Based Approach to Automatic Rendering of Piano Performance: Preliminary Auditory Evaluation

  Erica BISESI, Richard PARNCUTT

  283–296
• Absolute pitch: Common traits in music and language

  Andrzej RAKOWSKI, Ken'ichi MIYAZAKI

  5–16
• Timbre, tone color, and sound quality: concepts and definitions

  T. ŁĘTOWSKI

  2014-05-01

  17-30
• Trombone Transfer Functions: Comparison Between Frequency-Swept Sine Wave and Human Performer Input

  James W. BEAUCHAMP

  447–454
• Short-term memory for pitch investigated with vocal matchings

  A. RAKOWSKI

  2014-05-01

  351-357
• Loud music induced thresholds shifts and damage risk prediction

  A. JAROSZEWSKI, A. RAKOWSKI

  2014-05-01

  311-321
• A Study on of Music Features Derived from Audio Recordings Examples – a Quantitative Analysis

  Aleksandra DOROCHOWICZ, Bożena KOSTEK

  2018-07-11

  505–516
• Pitch Strength of Residual Sounds Estimated Through Chroma Recognition by Absolute-Pitch Possessors

  Piotr ROGOWSKI, Andrzej RAKOWSKI

  331–347
• High freqency hearing loss in percusion players

  P. ROGOWSKI, A. RAKOWSKI, A. JAROSZEWSKI

  119-128
• The characteristics of the phenomenon of initiation (sound intonation) in playing the wind instruments

  Zygmunt PAWŁOWSKI, Marek ŻÓŁTOWSKI

  229-240
• A physiological evaluation of the efficiency of playing the wind instruments – an aerodynamic study

  Zygmunt PAWŁOWSKI, Marek ŻÓŁTOWSKI

  291-299
• Active Acoustics in Concert Halls – A New Approach

  Wieslaw WOSZCZYK

  2014-01-01

  379–393
• Absolute pitch and its implications for music

  Ken'ichi MIYAZAKI

  529-540
• In search for the criteria of absolute pitch

  Andrzej RAKOWSKI, Marietta MORAWSKA-BÜNGELER

  75-87