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• Study of Preference for Surround Microphone Techniques Used in the Recording of Choir and Instrumental Ensemble

  Andrzej SITEK, Bożena KOSTEK

  365–378
• Virtual Acoustics at the Service of Music Performance and Recording

  Wieslaw WOSZCZYK, Doyuen KO, Brett LEONARD

  109–113
• Concert Hall Sound Clarity: A Comparison of Auditory Judgments and Objective Measures

  Andrzej MIŚKIEWICZ, Tomira ROGALA, Teresa ROŚCISZEWSKA, Tomasz RUDZKI, Tadeusz FIDECKI

  41–46
• Timbre differences of an individual voice in solo and in choral singing

  Tomasz ŁĘTOWSKI, Lidia ZIMAK, Halina CIOŁKOSZ-ŁUPINOWA

  55-65
• Problems in recordings for listening evaluation of the quality of violins

  Andrzej SASIN, Antoni KARUŻAS, Tomasz ŁĘTOWSKI

  13-22
• Sound pressure levels in emission of percussion instruments during training sessions

  A. JAROSZEWSKI, P. ROGOWSKI, A. RAKOWSKI

  283-289
• Anechoic measurements of particle-velocity probes compared to pressure gradient and pressure microphones

  Wieslaw WOSZCZYK, Masakazu IWAKI, Takehiro SUGIMOTO, Kazuho ONO, Hans-Elias de BREE

  643-658
• Assessing Spatial Audio: A Listener-Centric Case Study on Object-Based and Ambisonic Audio Processing

  Paweł MAŁECKI, Joanna STEFAŃSKA, Maja SZYDŁOWSKA

  2024-06-11

  331–343
• Perception of Changes in Spectrum and Envelope of Musical Signals vs Auditory Fatigue

  Maurycy KIN, Andrzej Dobrucki

  2016-04-22

  323–330
• Detection of Montage in Lossy Compressed Digital Audio Recordings

  Rafał KORYCKI

  65-72
• Midi controlled audio-DSP system

  Piotr BOBIŃSKI, Bartosz BIELAWSKI

  79–86
• 14th International Symposium on Sound Engineering and Tonmeistering ISSET 2011 Wrocław, Poland, May 19 – 21, 2011

  Editorial Board

  481–494