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• Automatic Genre Classification Using Fractional Fourier Transform Based Mel Frequency Cepstral Coefficient and Timbral Features

  Daulappa Guranna BHALKE, Betsy RAJESH, Dattatraya Shankar BORMANE

  2017-04-11

  213–222
• Artificial Intelligence on the Identification of Beiguan Music

  Yu-Hsin CHANG, Shu-Nung YAO

  2021-08-24

  471–478
• A Study on of Music Features Derived from Audio Recordings Examples – a Quantitative Analysis

  Aleksandra DOROCHOWICZ, Bożena KOSTEK

  2018-07-11

  505–516
• Noise as music

  A. RAKOWSKI

  2014-01-01

  267-274
• Classification of Music Genres Based on Music Separation into Harmonic and Drum Components

  Aldona ROSNER, Björn SCHULLER, Bożena KOSTEK

  2014-12-08

  629-638
• Hybridisation of Mel Frequency Cepstral Coefficient and Higher Order Spectral Features for Musical Instruments Classification

  Daulappa Guranna BHALKE, C. B. RAMA RAO, Dattatraya BORMANE

  2016-02-18

  427–436
• The pitch code in music as compared with the natural language code

  Andrzej RAKOWSKI

  313-324
• In search for the criteria of absolute pitch

  Andrzej RAKOWSKI, Marietta MORAWSKA-BÜNGELER

  75-87
• Music Performers Classification by Using Multifractal Features: A Case Study

  Natasa RELJIN, David POKRAJAC

  2017-04-25

  223–233
• n-gram-based approach to composer recognition

  Jacek WOŁKOWICZ, Zbigniew KULKA, Vlado KEŠELJ

  43–55
• Automatic identification of music performer using the linear prediction cepstral coefficients method

  Magdalena CHUDY

  27–33
• Virtual Acoustics at the Service of Music Performance and Recording

  Wieslaw WOSZCZYK, Doyuen KO, Brett LEONARD

  109–113
• Perceptually Correlated Parameters of Musical Instrument Tones

  James W. BEAUCHAMP

  225–238
• A Real-Time Key-Finding Algorithm Based on the Signature of Fifths

  Paulina KANIA, Dariusz KANIA, Tomasz ŁUKASZEWICZ

  2024-10-21

  491–505
• Investigation of the Sound Source Regions in Open and Closed Organ Pipes

  Viktor HRUŠKA, Pavel DLASK

  2019-03-15

  467–474
• Case studies on absolute pitch

  Sylwia Makomaska

  2014-01-01

  193-196
• Application of simulation methods to evaluation of accoustic features and design of adaptation of the concert hall of Cracow Philharmonic Orchestra

  A. GOŁAŚ, J. WIERZBICKI

  2014-05-01

  281-296
• Loudness Scaling Test Based on Categorical Perception

  Bożena KOSTEK, Piotr ODYA, Piotr SUCHOMSKI

  2016-05-06

  637–648
• Comparison of Lithuanian and Polish Consonant Phonemes Based on Acoustic Analysis – Preliminary Results

  Gražina KORVEL, Olga KURASOVA, Bożena KOSTEK

  2019-11-19

  693–707
• Mothers and their offspring perceive the tritone paradox in closely similar ways

  Diana DEUTSCH

  517-528
• Audibility of changes in spectral structure of saw-tooth stimuli

  H. HARAJDA, W. MIKIEL

  2014-05-01

  489-500