Vol. 36 No. 2 (2011)

Published: 2013-10-26

Research Papers

Retrospecting Polish Audio Engineering Society Membership on 20th Anniversary of the Polish Section of the Audio Engineering Society

Bozena KOSTEK, Marianna SANKIEWICZ

187–197
Sacral Sound-Engineering

Gustaw BUDZYNSKI

199–224
Perceptually Correlated Parameters of Musical Instrument Tones

James W. BEAUCHAMP

225–238
Loudness Assessment of Musical Tones Equalized in A-weighted Level

Despina KLONARI, Konstantinos PASTIADIS, Georgios PAPADELIS, George PAPANIKOLAOU

239–250
Absolute Pitch and Its Frequency Range

Andrzej RAKOWSKI, Piotr ROGOWSKI

251–266
Toward a Single Reed Mouthpiece for the Oboe

Sandra CARRAL, Christophe VERGEZ, Cornelis J. NEDERVEEN

267–282
An Accent-Based Approach to Automatic Rendering of Piano Performance: Preliminary Auditory Evaluation

Erica BISESI, Richard PARNCUTT

283–296
Automatic Music Summarization. A “Thumbnail” Approach

Jakub GŁACZYNSKI, Ewa ŁUKASIK

297–309
ICA-based Single Channel Audio Separation: New Bases and Measures of Distance

Dariusz MIKA, Piotr KLECZKOWSKI

311–331
Comparison of Sound Attributes of Multichannel and Mixed-Down Stereo Recordings

Maurycy J. KIN, Przemysław PLASKOTA

333–345
Choosing and Configuring a Stereo Microphone Technique Based on Localisation Curves

Magdalena PLEWA, Piotr KLECZKOWSKI

347–363
Study of Preference for Surround Microphone Techniques Used in the Recording of Choir and Instrumental Ensemble

Andrzej SITEK, Bożena KOSTEK

365–378
Active Acoustics in Concert Halls – A New Approach

Wieslaw WOSZCZYK

379–393
Creating Acoustic Maps Employing Supercomputing Cluster

Andrzej CZYŻEWSKI, Józef KOTUS, Maciej SZCZODRAK

395–418
Advances in Digitization of Microphones and Loudspeakers

Zbigniew KULKA

419–436
Nonlinear Distortions in Electroacoustic Devices

Andrzej DOBRUCKI

437–460
Parametric Audio Based Decoder and Music Synthesizer for Mobile Applications

Marek SZCZERBA, Werner OOMEN, Dieter THERSSEN

461–478

Chronicle

20th Anniversary of the Polish Section of the Audio Engineering Society

Zbigniew KULKA, Wojciech MAKOWSKI, Tadeusz FIDECKI, Maria TAJCHERT

479–480
14th International Symposium on Sound Engineering and Tonmeistering ISSET 2011 Wrocław, Poland, May 19 – 21, 2011

Editorial Board

481–494

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Vol. 36 No. 2 (2011)

Research Papers

Retrospecting Polish Audio Engineering Society Membership on 20th Anniversary of the Polish Section of the Audio Engineering Society

Sacral Sound-Engineering

Perceptually Correlated Parameters of Musical Instrument Tones

Loudness Assessment of Musical Tones Equalized in A-weighted Level

Absolute Pitch and Its Frequency Range

Toward a Single Reed Mouthpiece for the Oboe

An Accent-Based Approach to Automatic Rendering of Piano Performance: Preliminary Auditory Evaluation

Automatic Music Summarization. A “Thumbnail” Approach

ICA-based Single Channel Audio Separation: New Bases and Measures of Distance

Comparison of Sound Attributes of Multichannel and Mixed-Down Stereo Recordings

Choosing and Configuring a Stereo Microphone Technique Based on Localisation Curves

Study of Preference for Surround Microphone Techniques Used in the Recording of Choir and Instrumental Ensemble

Active Acoustics in Concert Halls – A New Approach

Creating Acoustic Maps Employing Supercomputing Cluster

Advances in Digitization of Microphones and Loudspeakers

Nonlinear Distortions in Electroacoustic Devices

Parametric Audio Based Decoder and Music Synthesizer for Mobile Applications

Chronicle

20th Anniversary of the Polish Section of the Audio Engineering Society

14th International Symposium on Sound Engineering and Tonmeistering ISSET 2011 Wrocław, Poland, May 19 – 21, 2011

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